If you’ve never booked a gig before, most of the uncertainty comes from not knowing what’s normal, rather than anything actually complicated.
Feeling a little self-conscious at first is normal, and it tends to fade fast once the session actually gets going. The proofing gallery usually shows a wider range of expressions and angles than the polished handful that make final delivery, which can be a surprise the first time round. Questions are always welcome too, whenever they come up, if anything isn’t clear.
The sessions that go best are usually the ones where the client stopped treating it as a performance and just let the direction do the work.
See also: Live Music trends worth knowing about in 2026.
Pricing, process and everything else sits on the Live Music page, and a direct message gets a straight answer faster than a search ever will, so get in touch if in doubt.
FAQs
Some quick answers here.
Do you cover full sets or just a few songs?
Either. Some bookings only need the pit for the first three songs, others want the full set covered, including crowd shots and the wider room.
Do you work with venues as well as artists?
Yes, on both sides: artists and labels wanting performance shots, and venues wanting a library of room and crowd images for their own marketing.
Further reading
Worth reading next.