Film that says the thing out loud.

Three things, and they are the three options at the top of this page: commercial and brand films, music videos, social content. They overlap more than they look like they do, because the same instinct runs through all of them: work out what the thing is actually about, then shoot that.

Yes. One person on the camera and in the edit. That keeps the cost sensible and it means nothing gets lost in a handover between a shooter and an editor who never met.

For most jobs, no, and that is usually the point. Where a shoot genuinely needs a second camera or extra lighting, that gets quoted in rather than assumed.

Films are quoted per project, based on the length of the shoot and what you need cut from it. Tell me what you are making and who it is for and a number comes back.

Yes, and it is often the cheapest way to get both. If you want photography from the same day, say so at the quote stage so the day gets planned around getting both properly rather than one badly, since trying to grab stills as an afterthought rarely works out.

That gets agreed at booking and written into the quote, because a social cut and a five-minute brand film are not the same job. You will know the date before you commit.

Yes. London is home and most work is here, but travel is quoted in for anything further out.