Emmet.t.c/Video/Social Media

Enough to post all month.

Vertical films, reels and ongoing social content for brands, venues and artists across London. Shot in batches, so one day in the diary keeps the calendar full.

01 Recent cuts

Shot and cut by Emmet in London.

Live performance film still, London
Performance Performance reel
Forever Forever film still
Music & club Forever Forever
Flower Show event film still, London
Event Flower Show

02 What it costs

Social work is quoted by the shoot day and the number of finished cuts you want out of it. Tell me how often you post and a number comes back.

Regular batches, ongoing rates
02 Regular batches

Ongoing rates

Ask monthly or quarterly

  • A recurring shoot day held in the diary
  • Content banked ahead rather than filmed in a panic
  • Stills captured on the same day
Ask about batches
Edit-only, footage you already have
03 Edit only

Footage you already have

Ask send a sample

  • Usable material cut into social versions
  • No new shoot needed
Send a sample
“A month of content from one afternoon of filming. Genuinely changed how we plan shoots now.”
Ruby · Social content

03 Social media video: FAQs

What do you actually deliver?

Vertical films cut for Reels and TikTok, plus square and landscape versions of the same footage wherever you need them, because the point is to come away with a stack of things to post rather than one film you have to ration.

Why shoot in batches?

Because the expensive part is the shoot day, not the edit. One day filmed properly can produce a month or two of posts, which works out far cheaper per video than filming every time you need something.

Do you shoot vertical natively?

Where the footage is only ever going vertical, yes. Where it needs to work in both, it gets framed so the vertical crop was planned rather than rescued afterwards. Say which you need before the shoot.

Can you edit footage we already have?

Yes, edit-only work is quoted separately. Send a sample of what you have got, because the quality of the source is what decides whether that is a good idea.

Do you write captions and hooks?

The films get cut with a hook in the first seconds, because that is a filmmaking decision rather than a copywriting one. Written captions and posting schedules are not part of this.

Who posts them?

You do. The files come back ready to upload in the right ratios, but the accounts stay yours and nobody else logs into them.

How often should we film?

For most brands and venues, a batch every month or two keeps the calendar full without the shoot days taking over. That gets worked out from how much you actually post.

Taking social bookings across London

How often do you post?

Tell me what you are posting and how often. You will have a clear quote within one working day.

Replies within one working day.

What are we shooting?

How often do you want to post?

Which formats do you need?

Fresh shoot, or edit footage you already have?

Last thing — where do I send the quote to?

Thanks — that's everything.

Sending it over now…

Replies within one working day.